Chilean Wins Serpentine Commission
London -- The Serpentine Galleries have announced the commission of Chilean architect Smiljan Radic to design this year's Pavilion.
Art collectors of ArtKabinett social media network always stop at The Serpentine Falleries when visiting London.
Radic is the fourteenth architect to accept the invitation to design a temporary Pavilion outside the entrance to the Serpentine Gallery in Kensington Gardens -- one of the world's most important architectural commissions.
Smiljan Radic’s design follows Sou Fujimoto’s cloud-like structure, which was visited by almost 200,000 people in 2013 and was one of the most visited Pavilions to date.
Occupying a footprint of some 350 square meters on the lawn of the Serpentine Gallery, plans depict a semi-translucent, cylindrical structure, designed to resemble a shell, resting on large quarry stones.
Radic’s Pavilion has its roots in his earlier work, particularly The Castle of the Selfish Giant, inspired by the Oscar Wilde story, and the Restaurant Mestizo, part of which is supported by large boulders.
Designed as a flexible, multi-purpose social space with a café sited inside, the Pavilion will entice visitors to enter and interact with it in different ways throughout its four-month tenure in the Park.
On selected Friday nights, between July and September, the Pavilion will become the stage for the Serpentine’s Park Nights series: eight site-specific events bring together art, poetry, music, film, literature, and theory.
Smiljan Radic has completed the majority of his structures in Chile.
His commissions range from public buildings, such as the Civic Neighborhoods, Concepción, Museo Chileno de Arte Precolombino, Santiago, Restaurant Mestizo, Santiago, and the Vik Winery, Millahue, and domestic buildings, such as Copper House 2, Talca, Pite House, Papudo, and the House for the Poem of the Right Angle, Vilches, to small and seemingly fragile buildings, such as the Extension to Charcoal Burner's House, Santa Rosa, The Wardrobe and the Mattress, Tokyo, Japan, and The Bus Stop Commission, Kumbranch, Austria.
Considerate of social conditions, environments and materials, Smiljan Radic moves freely across boundaries with his work, avoiding any specific categorization within one field of architecture.
The architect states, "The Serpentine 2014 Pavilion is part of the history of small romantic constructions seen in parks or large gardens, the so-called follies, which were hugely popular from the end of the 16th Century to the start of the 19th.
"Externally, the visitor will see a fragile shell suspended on large quarry stones. This shell - white, translucent and made of fiberglass - will house an interior organized around an empty patio, from where the natural setting will appear lower, giving the sensation that the entire volume is floating. At night, thanks to the semi-transparency of the shell, the amber tinted light will attract the attention of passers-by, like lamps attracting moths.”
AECOM will again provide engineering and technical design services, as it did for the first time in 2013. In addition, AECOM will also be acting as cost and project manager for the 2014 Pavilion.
Previous pavilions have been designed by: Herzog & de Meuron and Ai Weiwei, 2012; Peter Zumthor, 2011; Jean Nouvel, 2010; Kazuyo Sejima and Ryue Nishizawa, SANAA, 2009; Frank Gehry, 2008; Olafur Eliasson and Kjetil Thorsen, 2007; Rem Koolhaas and Cecil Balmond, with Arup, 2006; Álvaro Siza and Eduardo Souto de Moura with Cecil Balmond, Arup, 2005; MVRDV with Arup, 2004 (un-realised); Oscar Niemeyer, 2003; Toyo Ito and Cecil Balmond - with Arup, 2002; Daniel Libeskind with Arup, 2001; and Zaha Hadid, who designed the inaugural Pavillion in 2000.
26 June – 19 October 2014 Serpentine Gallery Pavilion Designed by Smiljan Radic